In Part 1 we looked at the skills and education necessary to be a professional editor. In this article we look at where to go next. Let’s assume you’ve passed the test—you’ve got all the necessary skills. (1) You have excellent English skills, (2) you love writing and words, (3) you understand how words work together (that’s not the same thing as #2), (4) you have a colllege degree in communications, and (5) you are constantly learning more about writing, editing, or both to stay on top of your game. Now where this article goes next and how it applies to you depends on who you are: whether you are (1) someone fresh out of college who is looking for an editing job and is willing to relocate or (2) someone who feels he or she has the skills needed to be an editor from home. Because those are two…
Any writer would do well to reflect on those in the past who had a part in molding his or her understanding of the written word. After all, without teachers, where would any of us be? So today I wish to honor a special lady who made a tireless impact on a multitude of Michigan students in her English classes for forty-four years. When I look back at my youth and reflect on those who especially encouraged my early interest in being a writer, after my parents the next major influence was Delores Forsmark, who went home to be with the Lord on September 9th. I felt so sad when I heard the news, and then memories took over from there. “Mrs. Forsmark” taught me English and literature at Genesee Christian High School in Burton, Michigan, between 1983 and 1987 (she taught at GCS a total of twenty-two years). But that’s not…
I had a big editing project to finish this week, and it required 12- to 14-hour days. Sorry, no time for a blog post today. I should be back up and running next week, the Lord willing.
I get this question a lot. “Hey, I heard you edit books from home. I’m really good at seeing typos in restaurant menus. How can I do your sort of job?” Yikes. That’s like asking somebody who knows how to change a flat tire to change a carburetor. There’s a lot more to making a living as an editor than being able to spot typos in menus, though that skill is commendable. The fact is, not just anybody can do this job, just like not everybody can listen to your heart and tell you whether you need heart surgery. So let me break down what being an editor means and what type of education and experience are expected to make a living at this. 1. To be taken seriously and be effective in the trenches, let’s get to the foundation—you need to be really good at English. Ugh, English? Yes,…
